Here’s my artist statement from way back then.
I’m interested in the potential or possibility of places and objects. His fascination is with things—not for what they are or what they’re proscribed to be—but for what they could be and how they can be seen.
In Waiting, different parts of the Toronto and New York subway systems are captured in various stages of flux. Bereft of people and purpose, these utilitarian spaces are re-imagined and assigned a different aesthetic value. Waiting transforms hectic spots into serene, contemplative sanctuaries.
Waiting itself directly refers to hanging around long enough for foot traffic and people to disappear. It also calls out the converted state of the spaces. No longer intersections of movement or places of mass congregation, the locations now wait to be refilled. Finally, waiting calls out patience and a desire to slow the normal day to day down and transform purposeful but sometimes mindless action into equally productive contemplative silence and peace.