Sliced

New show just might be Sliced, Crumpled, Shredded, Folded, and Scored photographs.

The only problem I’m having is why.

Initially this process of manipulations was about the willful destruction of a photograph. This is something that feels a little sacrilegious to me and I’m sure to others. Despite the nature of the digital image the physical photograph has an inherent value to me. Not just because I sell photographs, but also because of the history of the image itself and the memories it holds. One of the reasons I’m doing this is that it feels slightly wrong and that in itself feels strangely right. I’m destroying memory, or at least reconfiguring it.

This process is also about rebirth and redefinition. By taking an existing thing I’ve done and re-inventing it I’m creating something new out of something old. Without the pretentiousness or the mythology–this is sort of like the story of the Phoenix.

Repetition is soothing. I like endlessly cutting things into strips or shredding things. I like doing this manually when I could very easily use a machine or do the manipulation in Photoshop. There’s something deliberately archaic and anachronistic about the process. These are physical objects.

I’m also thinking of making these as 1 of 1s. The physical objects/subjects are 1 of 1s. Those physical objects are also sculptures. So I’m using photography to record a temporal sculpture.  The photographs are reminders of what was created. I was going to mount each of the sliced pieces, but the more I think about it the more I like the idea of them being fleeting. I may just pile all the strips in bags.

These photographs are also paradoxical. I’m re-arranging or reconfiguring memory by manipulating the original photographs and creating temporary sculptural pieces but I’m also recording those manipulated pieces of the past in new photographs. I think that explanation will have to be re-worded to make any sense. Hopefully when I re-read this I can figure it out enough to re-write.

IMG_7360

The aesthetic I’m very happy with–the what and the how. The more I write, the more I answer the why somewhat but maybe not enough to balance out the power of the aesthetic creation in my own head. I keep thinking that this work somewhat arbitrary when the images I’m using have a personal history but not a relationship to the process of manipulation. It’s half-baked. Without being cliche, perhaps there’s subject matter that I can specifically shoot then manipulate that will tie the aesthetic and the why together better. In a basic sense, clocks, or calendars might work. Something that represents the passage of time or the temporal. I’ve also thought of doing this with clouds. I like how the natural, or pseudo natural works in this process, better than how the architectural or man made does.

IMG_71248I think the answer lies in creating photographs of water, sky, forest, and nature, then re-imagining those photographs by folding, shredding, scoring, slicing, and folding.

Now, can I figure it out so it works completely in my head?

 

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October 2013

October 2013 is shaping up to be my favourite month this year. Mainly because it’s the Fall and lately it’s the only really fall month we seem to get. Fall suits me.

October 20th – I wandered around the Yonge/Bay and Bloor area. On Yonge just north  of the unattended subway entrance there’s a Jack Astor’s. This is the south wall of the a Starbucks that is facing the fence of the Jack Astor’s patio. I’ve shot this weird little patch of colour on other occasions and I revisit just to see if it’s been painted over. The original exposed brick can be seen underneath the layers of paint and plaster. I think this used to be a cool old bookstore before it became a Starbucks. On Bay the new Four Seasons Hotel/Condo building is approaching completion. There’s work being done however on the actual streets; Bay, and Yorkville in particular. This is looking onto the Four Seasons from the middle of Yorkville.

and the view below is from the Bay Sidewalk looking out onto Bay Street where half the road is being worked on. This is a concrete layer of under layer that I guess they’ll either pave over or actually cover with more concrete. I think the circular patterning was caused by a forklift or other small construction vehicles wheels.October 19th – I wandered up to Keele and St Clair in the rain to investigate The Stockyards If you haven’t seen it, try to avoid it and you’re might be the better for it. In this square kilometre area there is already Canadian Tire, Rona, Home Depot, McDonalds, Harvey’s, Shoppers Drug Mart and other cookie cuter retail stores. Now there’s a new half-a-million square foot, big-box, glorified-strip-mall going in that will contain a Target a, Pet Smart, Best Buy, Second Cup, Subway, and you can guess the rest. Here’s a pic of one of the stores and I bet it’s more interesting now than it will be with second rate, poorly made goods stocking the shelves. Take note, when this place is open I wouldn’t recommend going anywhere near this part of the city, the streets are still built to accommodate industrial and low density residential, not the 250,000 people in cars that will drive here from the surrounding 5km area. We’ve walked on surrounding roads in summer over the past ten years and you can’t breath because the car exhaust is so dense. Think about how ghastly it will be when it’s wall-to-wall grid lock and 35 degrees outside.October 16th – I revisited the weird transitional area between Thorncliff Park and Leaside. I wandered up Laird from Overlea, then across Eglington over to the DVP where my day job office is. It’s the Laird area I find I’m strangely drawn to. I made my way back to the self-storage place where I shot a photograph that was in the first Wandering show at Bau-Xi Photo. The whole complex is being painted. I’m not quite sure what the final colours will be but the interim hodge-podge is appealing. Note the following is not straight-on or at a forty-five degree angle.

When I did a complete circle of the building I also realised that the image I shot the previous year can be shot again this year but it will look even more like the Canadian flag. Just south west of the storage place on Laird there’s been a lot of development to service the suburban/urban area that is Leaside and Overlea. I can’t say that any of this is good development. I think if I say Smart Centres you’ll get the gist. It’s turning into one parking lot after another with generic, chain retail offering poor quality goods and services for a community of convenience. But I don’t live there and I’m sure 90% of the residents love this stuff.

Before the transition happens completely the west side of Overlea has been relatively untouched. It’s still home to lots of businesses that focus on the automobile, and some weird old school looking light industrial. Attached to an old school indoor carwash was the vacant retail place below.

This image is getting printed. I’m liking the simple, virtually black & white look that the space has and it’s slightly tired and imperfect construction. I also really love the weird placement of the door and the window frame leaning against the back wall. They contrast wonderfully with the whiteness that surrounds. I’m not quite sure why but I find this image very mysterious and somewhat otherworldly. To me it’s as if the frames are placed against the wall for some specific unknown and somewhat fantastical purpose rather than simply placed there for storage.I also made my way back into the pseudo park lands that make up the no man’s land of the highway cloverleafs beside my office building. I love these colours and the weird, pastoral nature of these shots. For the last few years I’ve thought  this can be a series in itself that might be inexhaustible. This image relates again to others I took last year, but now I’m looking at the scene with a more literary reference after reading Sebald whom I’ve been told is rather bleak and depressing. Funny, but I didn’t read it that way. I’ve enjoyed both Austerlitz and The Rings of Saturn.The shot below is taken from the parking lot of our office building, and beyond the trees is the DVP. The building beside us is getting new stairs poured in concrete and they ripped out the old ones and stuck them at the back corner of the existing parking lot.

The idea of Urban Pastoral may seem absurd, but areas like those below are quickly becoming the only natural green spaces in our city. I like capturing what looks like the edge of the wild with elements of urbanity in this absurd manner. It’s sort of like public parks having parking lots. 

When I actually got into work and came up the stairs i shot this on the third floor of our building, then rotated the frame 90 degrees. The larger white area is actually a wall, at it’s base is a recessed fluorescent light, then the lip of a ledge and the front edge of that ledge, and finally the dark area is the carpeting of the floor. I like the echoes of James Turrell, Mark Rothko, and Dan Flaven.October 14th - Just off Bloor, West of Bay slightly down from the Ugg store is the empty condo sales office for some new building. It’s been there for a few years. I like the simple depth in this image. I also love the incredibly high ceilings and the suggestion of a library that the empty shelves provide.

October 8th - Yonge Street north of Bloor beside the Bay. Sad attempt at landscaping but never the less a welcome bit of greenery on a dated and unimpressive corner. I’ll work more on this entry on my lunch hour today at work. It’s pretty rainy and taking photos on lunch will most likely not be a good option.October 6th
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