I took an existing 12″ x 12″ photographic proof from a series I shot a few years ago and deconstructed it. With a utility knife I sliced the print into the thinest strips I could manage. My guess is that shredding it ended up being about 300 strips that varied in width but all are around 1/2 mm wide. I then piled these on top of each other creating a rather cool little nest and then photographed the structure.
These images are close ups taken with a wide angle zoom lens of the shredded print—approximately 35mm—at a very large aperture creating a very short depth of field.
With the same lens just widened to 17mm. All shot on a black paper background in my basement using a very simple lighting set up.
Here’s the original photograph.
These image below were the earlier versions, taken yesterday. I suspended the “nest” of strips on a piece of glass after shredding and shot these. This was also only 3/4 of the actual original print shredded. I like the new ones shot today.
There’s something about taking an image that I thought was about something, then literally destroying it to creating something sculptural that I like a lot. These are the best part so far of a continuing story about appropriating my own work to make new “different” work.
It’s like the Phoenix. Rebirth of something out of destruction.
Folding is a spinoff from Crumple. I’d like to continue this work but to do a combination of angular, structured folds and other more random, organic folding. I do think this could go somewhere there. At the very least it feels good to explore.
I’ve organized a whack of 12″ square and smaller 2:3 ratio prints to experiment with. I’m also very keen to execute something I’ve been thinking about for the last two days. These two prints are 12″ x 12″ prints from the Wandering Vancouver show.
I’ll venture out today and get some sky shots, which I hope to process next week. I then have a weird desire to take these sky images and make folded airplanes out of them. I was also thinking of taking a dark/black picture of the surface of some body of water and make a swan in origami out of it.
I’ve thought more about the folded Paper Planes. I’ve taken sky shots this morning. These are very. very, simple. There are no clouds, just an expansive blue with some aerial perspective happening. I’ll figure out how to make 7 different Paper Planes by folding, and based on those plans print 7 different sky shots this week. When I get those back I’ll fold each “sky photograph” into it’s planed Paper Plane and photograph the resultant Plane again on either a white, black or combination of backgrounds. I’ll then print those photographs.
In the end I’ll end up with a photograph of a physically manipulated photograph.
I crumpled up some prints and then took pictures of them.
While I was working on Circular in the studio I started thinking about crumpled paper. At first I was simply thinking about something I saw somewhere. A drawing of a crumpled piece of paper. I’m not sure if I’m imagining that or if I’ve actually seen one. For some reason as I write this the artist Escher comes to mind but I have no idea if he did such a drawing and I don’t see it after doing a simple Google search. I then began to imagine how I could create a pseudo crumpled piece of paper using origami techniques and researched that a bit. Again I came up empty handed. I did find an article on the physics of paper crumpling, but it’s not really pertinent.
I started to clean up a bit. My studio is really just a table in the basement and it’s a bit cluttered with stuff we should probably simply throw out. Anyway, I was organizing and I found a bunch of 12″ x 12″ artist proofs I had intended to send out for publicity as some point but never did. I crumpled one up. The first one is shown below. I think it’s the most successful of these three, mainly because you can tell it’s a photograph and the subject is somewhat identifiable as you can see in the original reference image. The colours are also nice.
I think I can explore this act of crumpling in a lot of ways. The work above is a slightly destructive impulse I had towards older work. It’s not because I don’t like that work any more but because I wanted to see it differently. I’m very engaged in discovering new ways to look at photography or in ways to re-use it that depart from the typical practice of shooting a subject because its beautiful or immediately interesting.
The final shots from yesterday yielded another direction. I have a paper backdrop on a roll. I cut a piece of it off to cover the table I shoot on. I needed a new backdrop because the foamcore I’ve been using is a bit yellowish. I ended up with a section of paper that was some 12 feet across and about 5 feet deep that I had intended to throw out. It was dirty and ripped already. Instead of recycling it I crumpled it up. The result are shown here. I like the detail and the circular nature of the ball of paper. This crumple is about 12″ in diameter.
I’d like to work on creating crumples using some sort of process. But for now the random act of balling up a piece of paper has a lot of possibility for me.
I just remembered a possible alternate source of inspiration for this work. I love the work of Tom Friedman. He did some work with paper where he crumpled it and then meticulously recreated a copy of that same crumpling in another sheet of paper. While I was looking for that work I come across the work of Martin Creed. He crumpled a ball of paper and put it on display.
For me the bottom line is that the crumpled piece of paper reflect, holds, and cast an amazing light in the studio. It’s architecture is something to be sought after and not maligned. : )