August 2, 2015

August 2, 2015 The many faces of Lake Huron as July turns to August.

Every year we go to Huron for a week and every year it’s different weather. last year it was cold, windy and rainy. We ended up making it a much shorter visit opting to get back to the city where shitty weather isn’t really a big deal. This year it was sunny and warm every day.

I’ve been shooting the horizon for about ten years. I even have some framed prints in the basement of Huron in winter about ten years ago that were analog shot and darkroom printed. It seems so long ago.

Now I think it’s time to print some of these. In particular I’m very fond of the diptych at the end of this post. These two images with the distinct blue or white horizon lines are my favourites. I could see producing a series of ten of these all taken in the same spot but just a different times of day on different types of days. Showing the series in a line where the horizon just flows from one photograph to the next in what could appear like a perpetual line.

The cool thing about horizons are that they will still exist long after we’ve fucked up the planet beyond repair and destroyed ourselves. It’s not pessimism, just the simple truth. People are two worried about what kind of car they drive. How can they worry about destroying the world?Horizon

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Untitled-1IMG_5852_2Also there was ship in Goderich that I liked. I’m interested in how real life can look like a painting sometimes. Here are three mooring lines against the side of a large but seemingly rather old, tanker.IMG_5865We’ve been back to Huron a few times in August. Below are a few images taken from those more recent visits. I’m getting interested in a few other things. The water itself and how amazingly complex it is, and similarly the sky. Not surprisingly at dawn and dusk. I plan to keep taking these images until I have a collection of things I might print.

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Constructions

I came upon the idea for Constructions as I rode my bike to work and thought about an image I had taken on Monday of this week (previous post) . As soon as I arrived at work and locked my bike up I started thinking about it more seriously. I’d originally thought I’d call it Found, Constructions is a much more engaging and applicable term. I’ve been thinking about it all week now. It’s morphed into thought and imaginings revolving around Nuit Blanche 2013.

I’d like to suggest a Chris Shepherdly-simple curatorial thematic for the all night extravaganza next year. “Constructions” would incorporate ideas of discovery, luck, happenstance, searching, loss, misplacing, inspiration, building, representation, illusion, labour, etc. In a perfect world I could submit the theme, curate a zone, and research and perform a piece.

I’ll work on creating a curatorial statement.

The piece itself would bring together the majority of my focused concepts. A combination of Vacancy, The Task, The Clock, Waiting, Transitions, etc. It would be performance, sculpture and photography based.

For “Constructions” I would seek out existing building sites in several Nuit Blanche zones, get access to them and then rearrange / move elements of those locations. In the same way I moved the cinder block in The Task

Each site would have an imaginary Visual Frame of reference attached to some specific location on the periphery of the site. The optimal vantage point from where the piece is intended to be viewed. I would build a sculpture with pipes, blocks, pallets, etc. so that when viewed from that reference point — at a certain angle and dimension– the composition would be optimally represented. I’ve also toyed with the idea of making the “new ” compositions reference famous painting.

07/19/2012
Effort – This is an adaptation of the above. In this variation of Constructions I would remove the complicated and somewhat overused reference to painting history and concentrate on more on the nature of effort and the dynamics of “appearance”. In a construction site with various piles of material I’d take a photograph. Then manually I would move the material until a mirror image of it’s original location and layout was achieved. It would then be physically flipped. At this point I take another photo. In Photoshop flip the original photograph. The two “twin” photographs would hang side by side as a diptych. The result should be two identical or at least very similar images but each would have a completely different meaning.

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