Seeing is about breaking habits and looking at the world differently. Photography can often revolve around the idea of simple aesthetics or linear narrative. What looks good at a given time or what tells a story effectively can often be the most important force for creating an image. In Seeing there is a conscious attempt to avoid these direct uses for the camera and to approach image making from a philosophical reference point or series of philosophies that act to drive the process and the resultant body of work.

 

 

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